Megan Garber of The Atlantic has written a lengthy essay blistering Sarah Huckabee Sanders for her devotion to Donald Trump over truth.
Some outtakes on the White House press secretary:
This is a White House that prioritizes the scoring of points over the complexities of compromise. Sanders, on behalf of the president she works for—a happy warrior in a culture war that has found a front in the James S. Brady Press Briefing Room at 1600 Pennsylvania Avenue—takes for granted an assumption that would be shocking were it not so common in the American culture of the early 21st century: There are things that are more important than truth.
In a Sanders briefing, even the most straightforward questions are often met with obfuscation and indignation. Even the most basic matters of fact are disputed. The logic of the battlefield wins out, and the assigned teams face off, and it becomes clear, if you watch for long enough, that the thing being fought for is reality itself: facts, truths, common knowledge.
In the Trump administration, founding fathers’ worries about factionalism and petty concerns have been realized.
It is a fear that is realized every time the person whose job it is to help the American people understand the daily doings of the executive branch instead mocks White House reporters to their face. It is a fear that is realized every time Sanders, the daughter of a man who has made a career with the help of regular denigrations of the “media” (a collective to which, through a TV show broadcast to the masses, he insists he does not belong), uses her pulpit to promote the president’s “fake news awards.” It is a fear that is realized every time Sanders accuses reporters of “purposely putting out information you know is false” and “purposefully misleading the American people”—offenses that, anyone familiar with the workings of the press will know, are grounds for instant firing. It is a fear that is realized every time Sanders compares professional White House reporters to her three small children.
There’s much more and plenty of references to her sarcastic, demeaning style (learned from her dad, a master), but the close boils it down:
Her president, right or wrong.