In “Incandescent,” the voices behind the poems are passionate. They don’t over-rationalize humanity or pan its essence through long-winded metaphors. Sometimes they’re overcome with uncontrollable emotion. Sometimes they can’t say anything at all. Sometimes they find fire and life in the unexpected, in a slosh of memory, in the cycles of the natural world.
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For a limited time, when you purchase an annual Digital Subscription to the Arkansas Times, you’ll have your choice of a one-year subscription to the Oxford American magazine or a six-month concert membership to the Arkansas Symphony Orchestra.
"Memphysema" really does capture buzz of energy and excitement the band possessed in those days. As a re-introduction to Ho-Hum 25 years on, few bands or fans could ask for anything better.
Former Nylon Editor-in-Chief Gabrielle Korn told Thursday night's audience that representation of people of color, size inclusivity and an emphasis on sustainability were already emerging as elements in the Arkansas designers' collections, a welcome departure from the hegemony still largely present in many elements of New York Fashion Week.
Maybe it was Jett’s long-sharpened road-dog skills or her devoted vegetarian diet, or whatever soothing tonic was in Ann Wilson’s ceramic coffee cup, but neither showed a shred of evidence of vocal atrophy, and both were surrounded by the kind of musicians and engineers who can make their music work in a stadium setting.
We note the passing of Bud Kenny, founder of the long-tenured Wednesday Night Poetry sessions in Hot Springs.
Arkansas lost 31-27, and acquitted itself very well on the heels of the humiliation it just sustained against San Jose State. Alas, the team yet again could. not. freaking. FINISH. If this program needs a profound “culture change,” then yet another winnable game turned into an actual loss is not the ticket there.
Jesse Burks puts his knowledge of the human body to use as a talented foot surgeon — and in his budding career as a filmmaker.
How Little Rock designer Korto Momolu brought a weed-inspired collection to New York Fashion Week.
Ahead of Lethem’s visit to Arkansas as one of UA Fayetteville's 2018-19 2019-20 McIlroy Family Visiting Professors, we spoke to him about his love of used bookshops — he spent years working in them — gentrification, and what the election of Trump says about us as a society.
M'Shay Victoria Foster — also known as Joel Little — is a Little Rock native and the winner of Miss Gay Diamond America 2019, a regional competition and a preliminary to the Miss Gay America pageant. Now living outside of Dallas, Foster is competing in the MGA pageant for the fourth time next week, and M'Shay thinks this may be her year to take it all.
We asked Shea Childs — professional midwife and Board Director at Low Key Arts — to tell us what she's listening to. Here's her playlist, "Once Upon A Time in America."
A round-up of a few favorites that have crossed our desks lately from Arkansas musicians.
Performance Today named Falletta the 2019 Woman of the Year, heralding her quiet, systematic dismantling of the "male maestro" stereotype, her flawless technique and her "scintillating and sensual rendition of Rimsky-Korsakov's 'Scheherazade,' " the very piece she'll conduct this weekend with the Arkansas Symphony Orchestra.
Just do it already, Hunter. How could it possibly be any more disastrous than retaining this guy another minute?
"That’s why it’s so important to open the floor to everyone, to make a space for queer art — everyone has a story but not everyone will share it if they are not seen first," Pennington said. "If we nurture this community we have, if we can be brave in that way, what I hope most: more queer people will stay."
From Deadline today comes news that Ashlie Atkinson — a Little Rock native and Hendrix College grad who appeared in Spike Lee's "BlacKkKlansman" — will be cast on USA Network's "Mr. Robot."
The program appears absolutely lifeless, and I’ll stop short of saying “is already lifeless.” It has been consumed by a pervasive apathy that has been a byproduct of decades — not just years, mind you — of asinine personnel decisions followed by pecuniary choices that resemble a young child flailing about it in a toy store with a fistful of saved money that the kiddo cannot WAIT to irrationally spend. Reynolds Razorback Stadium has never been more expansive and impressive, and yet has had the paradoxical misfortune of never feeling so empty.
How Conway native Erin Enderlin's tunes have landed on the lips of Reba McEntire, Terry Clark, Randy Travis and Lee Ann Womack — and where Enderlin's going from here.
We talk with Arkansas Times Film Series curator Omaya Jones about Fernando Meirelles and Kátia Lund's 2002 Academy Award-nominated crime film "City of God," next up in our screening series.
"I always wanted to play Frankenfurter," Bostwick told us. "But I think everybody does because he’s such a combination of masculinity and surety, meanness. He was compassionless. He was selfish. He was all about him. Basically, he was Donald Trump. It was always, 'I’m the greatest, look at me.' "