Bill Carter is not a musician. But the Rector native, author of the 2006 autobiography “Get Carter,” has had a hand in the careers of Tanya Tucker, Reba McEntire and others, most notably the Rolling Stones for many years. Before that, Carter served in the
Lee Hays was a singer and songwriter who gained fame in the Weavers, with that folk group being blacklisted in the 1950s and its music being branded as “un-American.”
But, despite being among the most important figures in American popular music, Louis Jordan isn’t a household name in Arkansas. In the 1990s, a group of music lovers gathered to better preserve Jordan’s legacy, at least in his home state.
Horn player Wayne Jackson was born Nov. 24, 1941, in West Memphis, and helped craft the Memphis rhythm and blues sound especially typified by Stax and Hi Records.
Little Rock native Fred Tackett, who will be performing Friday, Oct. 7, at the Ozark Folk Festival in Eureka Springs, gained fame in the late 1980s as a member of reformed rockers Little Feat, but he has been recording for decades with countless acts. In
John L. Handcox was born Feb. 5, 1904, in Brinkley, and became the voice of the sharecropper through his poems and songs for the Southern Tenant Farmers Union.
Frank Otis Frost, who was born April 15, 1936, in Auvergne (Jackson County), became known as a premier Delta bluesman of the latter 20th century, with his talents sought for albums, movies and in concert around the world.
The “Anthology of Arkansas Folksongs” is an annotated two-CD set packed with dozens of artists and songs — but it still represents less than 1.5 percent of the collection from which it’s drawn. The anthology, released by the Center for Arkansas and Region
With its rich music and culture, the Ozarks area is probably the most-studied region of the state. A small selection of a large collection of mainly Ozark Arkansas folksongs has been put on a two-disc box set coming out of Fayetteville.
Little Willie John of Cullendale gave us “Fever.”
The song has been re-recorded by dozens, but few can match the original “Fever,” recorded March 1, 1956.
During his career as a bluesman, Keo native Elmon Mickle was known by a variety of nicknames: Harmonica Harry, Model T Slim, Drifting Smith, but the stage name that stuck best was Driftin’ Slim.
Perhaps one of the first quality exhibits of Arkansas musicians — not to mention a rare official sanction of Arkansas pop culture — was the the Old State House Museum’s “Our Own Sweet Sounds” show in fall 1995. The University of Arkansas Press published