"Beef" and the rest of the tracks on "Unsupervised," like Yoder's music with Little Rock outfit The See, are the sort of melody-driven pop rock anthems made for howling along to in a sweaty circle of friends at a concert — were they not concocted in a concertless era.
Arkansas Symphony Orchestra is bowing out at season's end with a series of free outdoor concerts from three of its ensembles — the Rockefeller String Quartet, the ASO Brass Quintet and the Quapaw String Quartet.
With vivid photography from Rett Peek and devoted attention paid to the makers’ techniques, and to the economic and cultural circumstances that framed their varied work, the books make Arkansas’s material history feel exactly as it should: textured and lively and tangible.
Live theatre returns to Arkansas this month and, while there’s not a full contingent of performances in the offing, it is a start. Here's how a few of the city's theatre companies are tackling a virus that’s turned their worlds upside down.
Jukes has been a creative dynamo since he escaped from the clutches of North Little Rock’s Northeast High School in the early 1970s, and he’s been making compelling music and comics ever since, all without achieving what famous Arkansas recluse Charles Portis called “escape velocity” from Arkansas. That is not to say Jukes didn’t try.
The very word “play,” Lynett points out, is one we should learn to take more literally; theater exists to surprise, and one way to do that is to upend expectations or to get the audience to “laugh first” — two words which serve as a hallmark for Lynett’s eponymous theater company.
The Emerging Leaders, a young professionals group supporting Arkansas’s oldest nonprofit, Centers for Youth and Families, has adapted its annual BrunchFest to BrunchFest Passes that contain coupons to more than 30 area eateries.