The night vision gives certain scenes a sort of bedtime vulnerability, as when a lion exhausted by her fresh kill flomps her head down on the throat of the wildebeest she was clamping on moments before.
In laying the disaster at the feet, primarily, of liars and tinpot dictators, “Chernobyl” creator Craig Mazin here has spun a deft political drama for an era where the phrase “Russian election interference” has rocked Europe and the United States.
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