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“Bay of All Saints,” the winner of the audience award for documentary at SXSW, was shot and directed by Annie Eastman, who worked with disenfranchised populations in the Bahia state of Brazil for a year and a half in 1999. She went back over a dozen times from 2004 to 2010, to document the impact, or lack thereof, of CONDOR, a major housing project funded by the World Bank. The project was supposed to move thousands of people — largely single mothers and their children — from the shacks they’ve constructed on stilts in a bay-cum-landfill to a freshly constructed apartment complex on land.

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