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Barr has written an outstanding novel about characters he deeply cares about. That devotion, in turn, has allowed him to craft a delightful story about this country’s very first experience with a transformative technology, and about the lives of people who made up the first cross-over generation — those before and after the introduction of electricity.
In “Incandescent,” the voices behind the poems are passionate. They don’t over-rationalize humanity or pan its essence through long-winded metaphors. Sometimes they’re overcome with uncontrollable emotion. Sometimes they can’t say anything at all. Sometimes they find fire and life in the unexpected, in a slosh of memory, in the cycles of the natural world.
Former Nylon Editor-in-Chief Gabrielle Korn told Thursday night's audience that representation of people of color, size inclusivity and an emphasis on sustainability were already emerging as elements in the Arkansas designers' collections, a welcome departure from the hegemony still largely present in many elements of New York Fashion Week.
Maybe it was Jett’s long-sharpened road-dog skills or her devoted vegetarian diet, or whatever soothing tonic was in Ann Wilson’s ceramic coffee cup, but neither showed a shred of evidence of vocal atrophy, and both were surrounded by the kind of musicians and engineers who can make their music work in a stadium setting.
Ahead of Lethem’s visit to Arkansas as one of UA Fayetteville's 2018-19 2019-20 McIlroy Family Visiting Professors, we spoke to him about his love of used bookshops — he spent years working in them — gentrification, and what the election of Trump says about us as a society.
M'Shay Victoria Foster — also known as Joel Little — is a Little Rock native and the winner of Miss Gay Diamond America 2019, a regional competition and a preliminary to the Miss Gay America pageant. Now living outside of Dallas, Foster is competing in the MGA pageant for the fourth time next week, and M'Shay thinks this may be her year to take it all.
Crystal Bridges Museum of American Art in Bentonville has announced its acquisition of a number of works by artists of color and women who are "pushing boundaries of representation," including Kehinde Wiley's "Portrait of a Florentine Nobleman" (2018).
Performance Today named Falletta the 2019 Woman of the Year, heralding her quiet, systematic dismantling of the "male maestro" stereotype, her flawless technique and her "scintillating and sensual rendition of Rimsky-Korsakov's 'Scheherazade,' " the very piece she'll conduct this weekend with the Arkansas Symphony Orchestra.
"That’s why it’s so important to open the floor to everyone, to make a space for queer art — everyone has a story but not everyone will share it if they are not seen first," Pennington said. "If we nurture this community we have, if we can be brave in that way, what I hope most: more queer people will stay."