Ebony Blevins covered last night's peaceful demonstration at the State Capitol for the Arkansas Times. The event ended before Little Rock's 8 p.m. curfew.
Harrison and Cabot, cities with overwhelmingly white populations and ugly racial histories, both held peaceful Black Lives Matter demonstrations Thursday.
Natural Relief Dispensary cut the ribbon today on its new location in Sherwood, marking the first medical marijuana dispensary in that city. The facility, which sits on a previously vacant lot at 3107 E. Kiehl Ave., projects an opening date late this week.
With staccato spoken word, mean-as-hell bass riffs and punctuating saxophone, Ante Yana took top honors last night at the 2020 Arkansas Times Musicians Showcase. Look for them, as well as Won Run and Tiny Towns, at the Rev Room for the showcase finals on Saturday, March 14.
Arkansas Times staff photographer Brian Chilson was on the floor to catch some of Breaking Benjamin's set Wednesday night.
Three houses, a bridge, a gymnasium and a district comprised of a group of houses in Hillcrest have been approved by the National Park Service for the National Register of Historic Places. To qualify, the applicants had to demonstrate how they contribute to U.S. history and heritage.
Here are...
Catch the recap of Round 1 of the 2020 Arkansas Times Musicians Showcase.
Eric Church was well worth the wait.
Former Nylon Editor-in-Chief Gabrielle Korn told Thursday night's audience that representation of people of color, size inclusivity and an emphasis on sustainability were already emerging as elements in the Arkansas designers' collections, a welcome departure from the hegemony still largely present in many elements of New York Fashion Week.
Arkansas Times photographer Brian Chilson was on the floor at last night's KISS concert to catch the action.
Our staff photographer Brian Chilson was at tonight's Chris Stapleton concert at Verizon Arena, part of the "Tennessee Whiskey" singer's All American Road Show tour with Brent Cobb and the Marcus King Band.
Along the Arkansas River Valley in Altus, there is a wine trail rich in history, rooted in family and eclectic in presentation.
Our photographer Brian Chilson was onsite to catch California scientist Greg Leyh's creation in action.
I ink, therefore I am — from Arkansas.
Arkansas Country Music Awards (ACMA) held its annual ceremony Monday night, June 3, presenting signed and unsigned Arkansas musicians and singer-songwriters, heralding the talents of country music talent from sound engineers and entertainers to radio promoters to dobro players.
As the river encroached the park, lapping against the bricks of the back of the amphitheater, its brisk current often matched the blistering tempos. Geese wandered about near the backstage equipment like hopeful groupies.
Some of our favorite Little Rock fashionistas don their beloved springtime duds.
Fort Payne, Ala. country superstars Alabama made a greatest hits concert out of their stop at Verizon Arena Saturday night.
The Arkansas Committee of the National Museum of Women in the Arts, the arbiter of "women to watch" in various media, is touring its fifth group of distinguished Arkansas artists, women who work in metal to produce mixed media jewelry, sculpture, conceptual pieces and small constructions.
A juried exhibition of 78 works by 63 artists that opens March 28 at John Brown University commemorates the 200th anniversary of the Arkansas Territory.
In a marathon of pedal effects, fog and melody at the Rev Room Friday night, we wrapped the 2019 Arkansas Times Musicians Showcase up in a bow, and crowned a winner: Willowack of Siloam Springs.
The 61st (and last until 2022) "Delta Exhibition" at the Arkansas Arts Center, on exhibit May 3-June 30, will feature 50 artworks by 49 artists, 33 from Arkansas.
Wednesday Night Poetry celebrated its 30th anniversary on Feb. 6, commemorating 1,567 consecutive Wednesdays of weekly poetry readings since it began as the first recurring art event in Hot Springs on Feb. 1, 1989.
Taylor's connection with the audience was palpable and he created the communal, tribal sensation that powered so much of ‘60s popular music and made musicians near cultural gods.
