We talk with Stan Liszewski of Terminal Nation about social media dysphoria, being pissed off in 2020 and his band's new record, "Holocene Extinction."
Here's director Ben Meredith's video for the title track, which, promisingly, wanders the turf between Descarte's Dream argument, molecular gas clouds and classic Sabbath.
James Snyder the event promoter behind Metroplex Live and Juanita's Entertainment, has teamed up with vocalist/concert promoter Chris Terry (CT) to screen concert films, horror flicks and live performances in North Little Rock, drive-in movie style.
The National Book Award-winning illustrator is, proudly, a co-founder of one of the most riotous and joyful performance art projects of Little Rock's musical history, Soophie Nun Squad (1992-2006), and he's documented the band's offshoots and collaborations in an elegant family tree.
Also, 'Latino Leadership and the Cinco de Mayo in the American West,' Pallbearer, 'Bach in the Castle of Heaven,' Weedeater, 'My Scientology Movie,' Argenta Artwalk, 'Bunny Lake Is Missing,' The Dead Deads, 'Sing Out for the Buffalo'
Here's the great new video from Little Rock doom metal troupe Pallbearer, a 10 minute long plot-less short film backed by their epic "Watcher in the Dark" directed by Little Rock native Adam Heathcott (now based in Portland). It's a kind of solemn, desert-oracle kaleidoscope, with shades of Jodorowsky and "Zabriskie Point" that finally descend into pure foggy visual abstraction
Here are the Little Rock albums we listened to more than any others this year, the ones that meant the most to us and that we’d push on any out-of-towners who asked what was new in the Little Rock music scene.
Olympia, Washington record lable 20 Buck Spin has announced the vinyl-only release of Pallbearer's "Demos," previously only available on limited edition CD-R and cassette, on December 9. The demos date back to 2010, before the Little Rock doom metal group's now-classic debut, "Sorrow and Extinction."
Little Rock's Pallbearer, "doom's next big thing" according to Decibel magazine, who featured them on the cover of their latest issue looking real intimidating and wielding a gas lantern, has a new record on the way, the follow-up to their ecstatically well-reviewed 2012 release "Sorrow and Extinction."