The To-Do List Week of Jan 24, 2020

An exhibition of works inspired by the forest.

Naomi Safran-Hon's exhibition "Refuge: Needing, Seeking, Creating Shelter" includes drear fantastical scenes of rubble-strewn home interiors.

An exhibit in the Underground Library at the Libraries at Gallery Square celebrates the human form.

Danny R.W. Baskin and Lee Byers collaborate for an exhibition exploring metaphors of birth, death and rebirth.

Twentieth-century British ceramics drawn from the Arkansas Arts Center Foundation Collection.

A third-generation carpenter creates fantasy coffins taking the form of, for example, a wingtip shoe or a crab.

Hurd calls his stye "Afro Futurism Geometric Symbolism."

Collage artist Meikel Church "challenges concepts of perception."

Ceramics by 13 artists, most of whom who are now or have been on the faculty of universities across Arkansas, make up the exhibition at the University of Central Arkansas.

Images of a world on fire are neat and finely drawn messages of the dystopia we are creating.

If you remember the ’70s, you'll wax nostalgic over the eight-track tape recorder and the Polaroid "Land Camera."

Tessler's oil-on-linen shaped works and 3D paper constructions challenge the definition of painting.

An exhibition of works inspired by the forest.

Naomi Safran-Hon's exhibition "Refuge: Needing, Seeking, Creating Shelter" includes drear fantastical scenes of rubble-strewn home interiors.

Prismacolor pencil drawings of Arkansas trees and vessels made from Arkansas trees, in the Concordia Gallery.

An exhibit in the Underground Library at the Libraries at Gallery Square celebrates the human form.

Danny R.W. Baskin and Lee Byers collaborate for an exhibition exploring metaphors of birth, death and rebirth.

Twentieth-century British ceramics drawn from the Arkansas Arts Center Foundation Collection.

A third-generation carpenter creates fantasy coffins taking the form of, for example, a wingtip shoe or a crab.

Hurd calls his stye "Afro Futurism Geometric Symbolism."

Collage artist Meikel Church "challenges concepts of perception."

Ceramics by 13 artists, most of whom who are now or have been on the faculty of universities across Arkansas, make up the exhibition at the University of Central Arkansas.

Images of a world on fire are neat and finely drawn messages of the dystopia we are creating.

If you remember the ’70s, you'll wax nostalgic over the eight-track tape recorder and the Polaroid "Land Camera."

Tessler's oil-on-linen shaped works and 3D paper constructions challenge the definition of painting.

An exhibition of works inspired by the forest.

Naomi Safran-Hon's exhibition "Refuge: Needing, Seeking, Creating Shelter" includes drear fantastical scenes of rubble-strewn home interiors.

Prismacolor pencil drawings of Arkansas trees and vessels made from Arkansas trees, in the Concordia Gallery.

An exhibit in the Underground Library at the Libraries at Gallery Square celebrates the human form.

Danny R.W. Baskin and Lee Byers collaborate for an exhibition exploring metaphors of birth, death and rebirth.

Twentieth-century British ceramics drawn from the Arkansas Arts Center Foundation Collection.

A third-generation carpenter creates fantasy coffins taking the form of, for example, a wingtip shoe or a crab.

Hurd calls his stye "Afro Futurism Geometric Symbolism."

Collage artist Meikel Church "challenges concepts of perception."

Ceramics by 13 artists, most of whom who are now or have been on the faculty of universities across Arkansas, make up the exhibition at the University of Central Arkansas.

Images of a world on fire are neat and finely drawn messages of the dystopia we are creating.

Tessler's oil-on-linen shaped works and 3D paper constructions challenge the definition of painting.

An exhibition of works inspired by the forest.

Naomi Safran-Hon's exhibition "Refuge: Needing, Seeking, Creating Shelter" includes drear fantastical scenes of rubble-strewn home interiors.

Prismacolor pencil drawings of Arkansas trees and vessels made from Arkansas trees, in the Concordia Gallery.

An exhibit in the Underground Library at the Libraries at Gallery Square celebrates the human form.

Danny R.W. Baskin and Lee Byers collaborate for an exhibition exploring metaphors of birth, death and rebirth.

Twentieth-century British ceramics drawn from the Arkansas Arts Center Foundation Collection.

A third-generation carpenter creates fantasy coffins taking the form of, for example, a wingtip shoe or a crab.

Hurd calls his stye "Afro Futurism Geometric Symbolism."

Collage artist Meikel Church "challenges concepts of perception."

Ceramics by 13 artists, most of whom who are now or have been on the faculty of universities across Arkansas, make up the exhibition at the University of Central Arkansas.

Images of a world on fire are neat and finely drawn messages of the dystopia we are creating.

If you remember the ’70s, you'll wax nostalgic over the eight-track tape recorder and the Polaroid "Land Camera."

Tessler's oil-on-linen shaped works and 3D paper constructions challenge the definition of painting.

An exhibition of works inspired by the forest.

Naomi Safran-Hon's exhibition "Refuge: Needing, Seeking, Creating Shelter" includes drear fantastical scenes of rubble-strewn home interiors.

Prismacolor pencil drawings of Arkansas trees and vessels made from Arkansas trees, in the Concordia Gallery.

An exhibit in the Underground Library at the Libraries at Gallery Square celebrates the human form.

Danny R.W. Baskin and Lee Byers collaborate for an exhibition exploring metaphors of birth, death and rebirth.

Twentieth-century British ceramics drawn from the Arkansas Arts Center Foundation Collection.

A third-generation carpenter creates fantasy coffins taking the form of, for example, a wingtip shoe or a crab.

Hurd calls his stye "Afro Futurism Geometric Symbolism."

Collage artist Meikel Church "challenges concepts of perception."

Ceramics by 13 artists, most of whom who are now or have been on the faculty of universities across Arkansas, make up the exhibition at the University of Central Arkansas.

Images of a world on fire are neat and finely drawn messages of the dystopia we are creating.

If you remember the ’70s, you'll wax nostalgic over the eight-track tape recorder and the Polaroid "Land Camera."

Tessler's oil-on-linen shaped works and 3D paper constructions challenge the definition of painting.

Up next at The Rep: “Ann,” an unblinking look at silver-haired, silver-tongued powerhouse Ann Richards, the 45th governor of Texas who ruffled feathers and raised eyebrows for her brash leadership style as much as for her status as a liberal running in ultra-conservative Texas.

An exhibition of works inspired by the forest.

Naomi Safran-Hon's exhibition "Refuge: Needing, Seeking, Creating Shelter" includes drear fantastical scenes of rubble-strewn home interiors.

Prismacolor pencil drawings of Arkansas trees and vessels made from Arkansas trees, in the Concordia Gallery.

An exhibit in the Underground Library at the Libraries at Gallery Square celebrates the human form.

Danny R.W. Baskin and Lee Byers collaborate for an exhibition exploring metaphors of birth, death and rebirth.

Twentieth-century British ceramics drawn from the Arkansas Arts Center Foundation Collection.

A third-generation carpenter creates fantasy coffins taking the form of, for example, a wingtip shoe or a crab.

Hurd calls his stye "Afro Futurism Geometric Symbolism."

Collage artist Meikel Church "challenges concepts of perception."

Ceramics by 13 artists, most of whom who are now or have been on the faculty of universities across Arkansas, make up the exhibition at the University of Central Arkansas.

Images of a world on fire are neat and finely drawn messages of the dystopia we are creating.

If you remember the ’70s, you'll wax nostalgic over the eight-track tape recorder and the Polaroid "Land Camera."

Tessler's oil-on-linen shaped works and 3D paper constructions challenge the definition of painting.

Up next at The Rep: “Ann,” an unblinking look at silver-haired, silver-tongued powerhouse Ann Richards, the 45th governor of Texas who ruffled feathers and raised eyebrows for her brash leadership style as much as for her status as a liberal running in ultra-conservative Texas.