The To-Do List Week of Jan 17, 2020

An exhibition of works inspired by the forest.

Naomi Safran-Hon's exhibition "Refuge: Needing, Seeking, Creating Shelter" includes drear fantastical scenes of rubble-strewn home interiors.

An exhibit in the Underground Library at the Libraries at Gallery Square celebrates the human form.

Danny R.W. Baskin and Lee Byers collaborate for an exhibition exploring metaphors of birth, death and rebirth.

The 2020 "Small Works on Paper" exhibition opens its yearlong traveling tour at the Mosaic Templars Cultural Center. Featured artists will speak at the Jan. 9 reception. The show features works no larger than 18-by-24 inches by 35 Arkansas artists. Juror Jamie Adams, associate professor of art at the Sam Fox School of Design and […]

Twentieth-century British ceramics drawn from the Arkansas Arts Center Foundation Collection.

A third-generation carpenter creates fantasy coffins taking the form of, for example, a wingtip shoe or a crab.

Hurd calls his stye "Afro Futurism Geometric Symbolism."

Collage artist Meikel Church "challenges concepts of perception."

Images of a world on fire are neat and finely drawn messages of the dystopia we are creating.

If you remember the ’70s, you'll wax nostalgic over the eight-track tape recorder and the Polaroid "Land Camera."

Tessler's oil-on-linen shaped works and 3D paper constructions challenge the definition of painting.

“Wicked” isn’t so much a sequel or a prequel to “The Wizard of Oz” as it is an offshoot, delving into the lives of Glinda the Good Witch and Elphaba, the Wicked Witch of the West.

An exhibition of works inspired by the forest.

Naomi Safran-Hon's exhibition "Refuge: Needing, Seeking, Creating Shelter" includes drear fantastical scenes of rubble-strewn home interiors.

Prismacolor pencil drawings of Arkansas trees and vessels made from Arkansas trees, in the Concordia Gallery.

An exhibit in the Underground Library at the Libraries at Gallery Square celebrates the human form.

Danny R.W. Baskin and Lee Byers collaborate for an exhibition exploring metaphors of birth, death and rebirth.

The 2020 "Small Works on Paper" exhibition opens its yearlong traveling tour at the Mosaic Templars Cultural Center. Featured artists will speak at the Jan. 9 reception. The show features works no larger than 18-by-24 inches by 35 Arkansas artists. Juror Jamie Adams, associate professor of art at the Sam Fox School of Design and […]

Twentieth-century British ceramics drawn from the Arkansas Arts Center Foundation Collection.

A third-generation carpenter creates fantasy coffins taking the form of, for example, a wingtip shoe or a crab.

Hurd calls his stye "Afro Futurism Geometric Symbolism."

Collage artist Meikel Church "challenges concepts of perception."

Images of a world on fire are neat and finely drawn messages of the dystopia we are creating.

If you remember the ’70s, you'll wax nostalgic over the eight-track tape recorder and the Polaroid "Land Camera."

Tessler's oil-on-linen shaped works and 3D paper constructions challenge the definition of painting.

“Wicked” isn’t so much a sequel or a prequel to “The Wizard of Oz” as it is an offshoot, delving into the lives of Glinda the Good Witch and Elphaba, the Wicked Witch of the West.

An exhibition of works inspired by the forest.

Naomi Safran-Hon's exhibition "Refuge: Needing, Seeking, Creating Shelter" includes drear fantastical scenes of rubble-strewn home interiors.

Prismacolor pencil drawings of Arkansas trees and vessels made from Arkansas trees, in the Concordia Gallery.

An exhibit in the Underground Library at the Libraries at Gallery Square celebrates the human form.

Danny R.W. Baskin and Lee Byers collaborate for an exhibition exploring metaphors of birth, death and rebirth.

Twentieth-century British ceramics drawn from the Arkansas Arts Center Foundation Collection.

A third-generation carpenter creates fantasy coffins taking the form of, for example, a wingtip shoe or a crab.

Hurd calls his stye "Afro Futurism Geometric Symbolism."

Collage artist Meikel Church "challenges concepts of perception."

Images of a world on fire are neat and finely drawn messages of the dystopia we are creating.

Tessler's oil-on-linen shaped works and 3D paper constructions challenge the definition of painting.

An exhibition of works inspired by the forest.

Naomi Safran-Hon's exhibition "Refuge: Needing, Seeking, Creating Shelter" includes drear fantastical scenes of rubble-strewn home interiors.

Prismacolor pencil drawings of Arkansas trees and vessels made from Arkansas trees, in the Concordia Gallery.

An exhibit in the Underground Library at the Libraries at Gallery Square celebrates the human form.

Danny R.W. Baskin and Lee Byers collaborate for an exhibition exploring metaphors of birth, death and rebirth.

Twentieth-century British ceramics drawn from the Arkansas Arts Center Foundation Collection.

A third-generation carpenter creates fantasy coffins taking the form of, for example, a wingtip shoe or a crab.

Hurd calls his stye "Afro Futurism Geometric Symbolism."

Collage artist Meikel Church "challenges concepts of perception."

Images of a world on fire are neat and finely drawn messages of the dystopia we are creating.

If you remember the ’70s, you'll wax nostalgic over the eight-track tape recorder and the Polaroid "Land Camera."

Tessler's oil-on-linen shaped works and 3D paper constructions challenge the definition of painting.

An exhibition of works inspired by the forest.

Naomi Safran-Hon's exhibition "Refuge: Needing, Seeking, Creating Shelter" includes drear fantastical scenes of rubble-strewn home interiors.

Prismacolor pencil drawings of Arkansas trees and vessels made from Arkansas trees, in the Concordia Gallery.

An exhibit in the Underground Library at the Libraries at Gallery Square celebrates the human form.

Danny R.W. Baskin and Lee Byers collaborate for an exhibition exploring metaphors of birth, death and rebirth.

Twentieth-century British ceramics drawn from the Arkansas Arts Center Foundation Collection.

A third-generation carpenter creates fantasy coffins taking the form of, for example, a wingtip shoe or a crab.

Hurd calls his stye "Afro Futurism Geometric Symbolism."

Collage artist Meikel Church "challenges concepts of perception."

Images of a world on fire are neat and finely drawn messages of the dystopia we are creating.

If you remember the ’70s, you'll wax nostalgic over the eight-track tape recorder and the Polaroid "Land Camera."

Tessler's oil-on-linen shaped works and 3D paper constructions challenge the definition of painting.

An exhibition of works inspired by the forest.

Naomi Safran-Hon's exhibition "Refuge: Needing, Seeking, Creating Shelter" includes drear fantastical scenes of rubble-strewn home interiors.

Prismacolor pencil drawings of Arkansas trees and vessels made from Arkansas trees, in the Concordia Gallery.

An exhibit in the Underground Library at the Libraries at Gallery Square celebrates the human form.

Danny R.W. Baskin and Lee Byers collaborate for an exhibition exploring metaphors of birth, death and rebirth.

Twentieth-century British ceramics drawn from the Arkansas Arts Center Foundation Collection.

A third-generation carpenter creates fantasy coffins taking the form of, for example, a wingtip shoe or a crab.

Hurd calls his stye "Afro Futurism Geometric Symbolism."

Collage artist Meikel Church "challenges concepts of perception."

Images of a world on fire are neat and finely drawn messages of the dystopia we are creating.

If you remember the ’70s, you'll wax nostalgic over the eight-track tape recorder and the Polaroid "Land Camera."

Tessler's oil-on-linen shaped works and 3D paper constructions challenge the definition of painting.